Cai Guo-Qiang: October

12.09.2017 – 12.11.2017

Main Building

In September 2017, the Pushkin State Museum of Fine Arts will present leading international contemporary artist Cai Guo-Qiang’s first solo exhibition in Russia: Cai Guo-Qiang: October. A reflection on the 100th anniversary of the Russian Revolution, the ambitious body of work originally created for the exhibition will transform the main exhibition areas of the museum.

About Cai Guo-Qiang

The exhibition is a comprehensive introduction of the artist’s diverse yet distinctive practice to the Russian art world and local audiences. Artworks include large-scale outdoor and indoor installations, gunpowder paintings, a multi-media video installation, and small-scale sculptures and sketches. Upon entering the courtyard, visitors are greeted by a grandiose outdoor installation on the central staircase leading to the entrance of the museum, titled Autumn. A man-made mountain composed of birch trees and hundreds of baby cradles donated by Moscow residents, towers over the visitors and offers an astounding visual impression. For some, it will evoke a famous scene from Battleship Potemkin (1925) by Sergei Eisenstein. For the first time in the museum’s history, a massive installation will be incorporated with the architecture of the second-floor White Hall.

The various artworks trace the artist’s personal journey: growing up in Communist China, later moving to Japan and now residing in the US, he has never ceased to expand his artistic activities to various parts of the world by collaborating with local communities, which is an important part of Cai Guo-Qiang’s projects. Ordinary people are often involved, and are able to relate to his artworks on a deeply personal level. In Moscow, Cai Guo-Qiang will continue to pursue this artistic methodology, and will create two 20-meter-long gunpowder paintings and one calligraphy on silk, all involving the participation of local residents. With his signature medium of gunpowder, Cai Guo-Qiang continues to transform this ancient Chinese invention, approaching it with modern technology and a contemporary attitude. His creative process comments on the continuity of history, its everlasting quality, which is also a theme evoked in this exhibition.

Marina Loshak, Director of the Pushkin State Museum of Fine Arts:

”The exhibition, dedicated to the Centenary of the Revolution, will be created in the form of a dialogue between contemporary art and the architecture of a classical museum, a finished work and the history of its creation, past events and the hopes of today.”

Conceived upon the centenary of the October Revolution, the exhibition considers the subjects of history, revolution and utopian dreams. According to Cai Guo-Qiang, “these topics should not stay as grand narratives of ideologies or social systems. Instead, we need to discuss more specifically how ‘the people’ is composed of many individuals. Whether prosperous or unfortunate, history is created by individuals, who must take responsibility and assume consequences. ‘Why do people have ideals?’ ‘How do we realize them?’ These kinds of questions are not only directed at the past, but also at the present. They are not only directed at China and Russia, but at the entire world.”

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